![]() ![]() It’s a true shame, because not only is it an excellent film for those willing to give its unique design a chance, it’s also one of the finest examples of how to construct an '80s throwback. RELATED: ‘Nekrokosm’: Sci-Fi Fantasy Film in Development From ‘Mandy’ Director Panos Cosmatos at A24 It is the absolute definition of a cult film, and even if Cosmatos becomes one of the biggest names in contemporary horror, it’s unlikely Black Rainbow will be anything but that. Factor in the lack of a major star, and it’s easy to see why it hasn’t undergone a revival despite hitting many of the same beats as Mandy. It’s essentially a two-hour mood piece, wallowing in its own style with such commitment that those enamored by its direction will be utterly mesmerized for its duration… all the while everyone else will be bored senseless. There’s minimal dialogue, few characters and fewer locations, and little in the way of action that doesn’t involve two people staring at each other through panes of glass. Black Rainbow, meanwhile, has its foot on the brakes for so long you’ll think the driver has fallen asleep. It’s slow, and while Mandy wasn’t about to break the land speed record, it at least capped things off with high-energy set pieces that appeared to have been ripped from a heavy metal music video. But Beyond the Black Rainbow is a far different beast, eschewing the popcorn thrills of Stephen King, John Carpenter, and Steven Spielberg for a more atmospheric and cerebral experience that feels closer to a Stanley Kubrick or Andrei Tarkovsky film.
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